JL Slog 3 LUT
I’ve created a SLOG 3 to REC 709 LUT that I use for all my Sony SLOG 3 footage over the past 6 months.
What’s included?
1 Custom LUT: SLOG 3 to REC 709
These are .cube files compatible with Adobe Premiere Pro, Final Cut X, and DaVinci Resolve.
These LUTs work best with Sony SLOG 3 footage. When filming, aim for an exposure between 0 and 1 for the best color results. I use this LUT as a base layer for all my footage, making slight adjustments for mood and scene. They can also work as a standalone color correction.
If your image is off—too dark, bright, warm, or cool—a quick adjustment can restore the right color profile.
I'm excited to share these after months of testing and hope you find them helpful! Tag @josephlipsen on Twitter or Instagram with your LUT setup.
Important: Download only on a desktop or laptop. No refunds or exchanges on digital products.
I’ve created a SLOG 3 to REC 709 LUT that I use for all my Sony SLOG 3 footage over the past 6 months.
What’s included?
1 Custom LUT: SLOG 3 to REC 709
These are .cube files compatible with Adobe Premiere Pro, Final Cut X, and DaVinci Resolve.
These LUTs work best with Sony SLOG 3 footage. When filming, aim for an exposure between 0 and 1 for the best color results. I use this LUT as a base layer for all my footage, making slight adjustments for mood and scene. They can also work as a standalone color correction.
If your image is off—too dark, bright, warm, or cool—a quick adjustment can restore the right color profile.
I'm excited to share these after months of testing and hope you find them helpful! Tag @josephlipsen on Twitter or Instagram with your LUT setup.
Important: Download only on a desktop or laptop. No refunds or exchanges on digital products.
I’ve created a SLOG 3 to REC 709 LUT that I use for all my Sony SLOG 3 footage over the past 6 months.
What’s included?
1 Custom LUT: SLOG 3 to REC 709
These are .cube files compatible with Adobe Premiere Pro, Final Cut X, and DaVinci Resolve.
These LUTs work best with Sony SLOG 3 footage. When filming, aim for an exposure between 0 and 1 for the best color results. I use this LUT as a base layer for all my footage, making slight adjustments for mood and scene. They can also work as a standalone color correction.
If your image is off—too dark, bright, warm, or cool—a quick adjustment can restore the right color profile.
I'm excited to share these after months of testing and hope you find them helpful! Tag @josephlipsen on Twitter or Instagram with your LUT setup.
Important: Download only on a desktop or laptop. No refunds or exchanges on digital products.